Fan
Fiction
 "Oh,
the young master Alucard--always caught in the middle of the eternal battle
as an active-but-fleeting participant, an emotionally twisted offspring
of, really, both sides. It's no big shock that one with such a
sordid past (considering, especially,
his childhood) would go on to become a manipulator of sorts; he'll always
do what's right, sure--but his methodology is not without its fair share
of deceit. Soma Cruz learned well this lesson. But what happens when the
subject at hand shares with Alucard a more sacred bond? Does agenda outweigh
paternity? Just who is Jonathan Belmond, exactly? Angel Santiago
answers these questions in screenplay form, in the new tale Castlevania:
The Movie!" |
.jpg)
Main Characters:
Adrian Drakkar (Alucard)
Jonathan Belmond
Anna Constantine
Ivan
Death
Chaos (Dracula)
The entire world knows his tale,
the tale of the lord of the Vampires, Dracula. But
there are events lost to history, events best left unknown… the truth. The
tale of the
Intro
Shot of the Moon clearing the clouds, then the camera moving down to the tree line as bats fly out of the trees. Suddenly an earthquake shakes the landscape and blue fire comes out of the ground. From afar, on a hill, bricklike stones begin to move in a monstrous wave. Little by little over the hill a shape begins to appear… Castle Dracula.
Scene
1
The back of a man kneeling in front of the altar, breath is seen before him as if breathing in cold weather.
“Once
again, the time has come. Lend me your strength to prevail over the coming
nightmare. Amen.”
A
polished chandelier is seen with the reflection of the altar, but not of the
man.
Scene
2
A
man with a safety helmet and a tool belt walking by the cathedral
stops to look at the crosses.
Jonathan
(thinking)
“I
have always been different... a rebel, an outcast.
Why is it then that I feel your call so
strongly? Why me?”
Anna
“Jonathan!”
Jonathan
“Anna!”
The
woman approaches and kisses him.
Anna
“How
come I always catch you daydreaming?”
“I
am sorry Anna, It’s just–”
(Close
up as she covers his lips with her hand and her wedding ring is seen.)
Anna
“You
are always so mysterious, I guess that’s one of the reasons I love
you so much.”
He smiles and holds her hand. His hand is showing the same ring as hers.
Scene
3
A
corridor inside Castlevania.
Steps
can be heard then suddenly torches begin to light by themselves.
A
cloaked man enters a large hall at the end of the corridor.
“At
last, our lord is resurrected to sit once again in
the throne of the
A
black cloud, in the form of wings spreads over the
room
as the man uncovers his face.
Death
“Ha,
Ha, Ha…young one, you presume too much.
Only
Chaos and Death inhabit Castlevania.”
“Angel of Death!”
“Yes… and I have returned to bring Chaos to Earth.”
Death
“Serve well and you will be rewarded.”
Scene
4
“Where
am I?”
Dracula’s voice
“Why, my son?”
“Father!?”
Voice
“Sir?”
“Huh?!”
Flight attendant
“Sir,
are you all right?”
“Yes––yes
I am fine.”
Flight attendant
“Well,
if you need anything just let me know, ok?”
The
flight attendant leaves and
“Father…”
Scene
5
Jonathan
“Look,
Anna… there is something I have to tell you.
I have never talked to you about my family.
I–”
Anna
“Of
course you have, they were very strict. By the way you described them, a little
weird but I guess all parents are like that. Mine were kind of strange also.”
Jonathan
“What made them strange was that they were always telling me stories about my grandfather, great grandfather and so on. How I was supposed to follow their footsteps? By the time I was 17 I left home, I was tired of listening to them telling me the same thing over and over. But now…”
“But
now what?”
Jonathan (flashbacks)
“But
now…I’m not so sure. They taught me how to hunt in the woods and told me the
old townsfolk legends and tales. I never went to school, they taught me everything
and the very first books I read were the Bible and my great grandfather’s
diary. It was filled with even more strange accounts, events that he supposedly
experienced in his lifetime and when I turned 15 my father gave me a strange
gift. He gave me his diary and a bag with an old leather whip inside. He said
‘Son, the time might have come and you will need this.’ Strangely, I was attracted
to the weapon and began to train with it. But I got tired of it all and that’s
when I decided to leave. On that last day my father approached me and said
‘I cannot stop you, just remember everything…’ and he gave me a hug. I could
hear my mother crying inside the house. I never told them I would leave, they
just knew and said goodbye.”
Anna
“And,
do you remember?”
Jonathan
“Yes and they were right… a storm is coming. And I must be prepared to face it.
Scene
6
Frankfurt
“Father,
it was just a nightmare… but I understand...”
He
lowers his head and he begins to hear the noises of the city.
“There
is not much time.”
Driver
“Mr.
Drakkar, your car is ready.”
He gets inside the car and leaves.
Scene
7
Jonathan’s
house. Morning.
Anna
“See
you later. I love you.
She
kisses him.
Jonathan
“Say
hi to the children, love you.”
She
leaves and he enters the house. He goes to his room and
begins
to read one of the diaries.
Scene
8
Anna
walking down the streets of
Anna
exits a bakery and walks towards the orphanage where she works. She begins
to hear voices of children on a nearby alley and she walks to see what’s going
on.
Anna
“What
are you doing here?
Anna
enters the alley and sees shadows moving.
Anna
“This
is no place to be playing, come out–Huh?”
Suddenly
she turns and sees 2 men with hoods standing at the alley’s entrance.
Anna
“What?”
She
turns again and standing in front of her a man with a long black trench coat.
He waves his hand at her.
Ivan
“Sleep…
Death will have you now.”
She
falls and he grabs her. Behind him, 3 hunchback zombies approach and fall
to the ground and begin to rapidly decompose, disappearing.
Ivan
“Go
now, our lord will reward you for your faith.”
The hooded men leave and the vampire disappears into the shadows of the alley.
Scene
9
Jonathan
reading inside the house.
Passage
in Father’s Diary
“By
the time you read this you will be old enough to understand. I have been blessed
to have you, be with you and see you turn
into a man. Some of our ancestors were
not able to have that blessing. And so
we have always lived in fear of loosing our
loved ones…”
Jonathan
“Loved
ones... Huh? Anna!”
Jonathan
runs to the cellar and opens an old chest. He grabs an old bag and rushes
to find Anna at the orphanage, just a
couple of blocks away from their house.
Jonathan
“It
has begun… Anna.”
He
arrives at the orphanage taking another route. He sees the children
playing at the yard with one of Anna’s
friends.
Jonathan
“Maria!”
Maria
“Hi
Jonathan, it’s Anna all right? She didn’t come today.”
Jonathan
“Huh?
Yes, sure. I just… see you later!”
He
runs away from the orphanage, taking the way she normally takes.
Jonathan
“The
bakery…”
He
arrives near the alley and stops.
Jonathan
“Cold…
she was here.”
He
enters the alley as the walls around it fade in darkness, as if the night
had fallen, then slowly begin to change into a castle corridor. He moves to
open the bag on his waist.
Homeless man
“Sir,
can you spare some change?”
Jonathan
“Huh?
It is not safe here, you must leave the alley!”
Homeless Man
“It’s
not, especially for you—aaaaaarrgghh!!!!
The
man jumps towards Jonathan as he grabs the whip from his bag and jumps backwards.
Jonathan hits the vampire in the chest then takes his arm with the whip and
pulls him closer. He then gets a short sword from his bag and cuts the vampire’s
head, turning into ashes. Then he hears noises in front of him.
Jonathan
“Bones…”
Two skeletons start walking towards him. He then throws his sword at one of them, breaking it apart and lashes at the other, splitting it in half but it begins to crawl. Jonathan stands and crushes its skull with his boot. Then the walls begin to change back to normal. He walks to get his sword and finds a note.
Written
in note
“You
know where to find her. D.”
Jonathan
“You monster! If you harm her, by the Lord I will kill you!”
“By
the Lord it will be, as it has always been.”
Jonathan
turns at the entrance.
Jonathan
“You!”
“I
have no doubt you know me but let me introduce myself.
I am Adrian Fahrenheight Tepes.”
Jonathan
“Alucard”
“Yes,
that is how your ancestors used to call me. Now, let us go, we must
reach the
Jonathan
“Wait,
I have so many questions.”
“You will have the answers but now it’s not the time. Come”
Scene
10
Somewhere,
on a train en route to
“The
Full Moon is in three or four days, it will take almost that to reach the
“Once the resurrection ritual begins, time itself runs differently in this area. It is part of the ritual and the incredible magical forces involved in it. This is also a disadvantage for the servants of Death, that is why your ancestors sometimes took advantage of this by using time on their favor during their battles. On the world outside nature, the so called civilization, this powers are not manifested, so going through the countryside has always been an advantage for your family in the dark times. But we must be prepared because Death knows this and will try to slow us down on our journey.
As
the days go by they encounter lesser enemies like spiders, crows, zombies
and werewolves then at last they reach the
Jonathan
“I
never wanted to believe it was real yet I knew it was. But vampires and monsters,
how was I supposed to explain that to my wife? Yet I feel she understood,
even the things I did not tell her, like she knew somehow.”
“Indeed
we are real and I understand your concern, that is why your blood carries
the Holy as well as the Dark Curse. It is your strength as well as your weakness.
That is the reason for Belmond parents to be the way they are, to make sure
their sons are prepared for a possible resurrection in their lifetime. It
is not madness but pure love that drives them to what they do.
Jonathan
lowers his head.
Jonathan
“Mother…
father… Anna.”
“I
understand your pain. I have also loved, not only do I miss the love of my
mother but also the love of your matriarch.
Jonathan
“Sonia…”
“Yes…
Keep this in mind, the monsters we have encountered and the ones we will soon
face are born out of the fears of humanity. Myths and monsters no matter how
insignificant, humans made them real and he calls upon them. Also the
Jonathan
“Castlevania.”
Scene
11
Night,
entering Veros Woods.
Adrian
and Jonathan witness a procession leaving the woods.
Jonathan
“The
people from Veros?”
“Yes.
They bring gifts for us.”
Jonathan
“Gifts?”
All
of a sudden bats start coming out of the trees and the ground begins to shake.
“Prepare
yourself.”
Jonathan
“I
am ready.”
The
ground opens and they move cautiously away from the opening standing ready.
Zombies and frogs start coming out of the ground.
Ivan
“Forward,
without mercy.”
Jonathan
lashes at the zombies and cuts the frogs with his sword as they jump towards
him.
Ivan
“Ah,
Lord Adrian. It is an honor to meet the son of our Lord Dracula.”
“The
one you serve is not my father and you are nothing.”
Ivan
“How
dare you speak that way to me!
Full
body shot of the vampire. He uses lightning to strike the ground in the form
of hands coming out and grabing
Ivan
“Now
you are mine!”
He
lifts his hand and creates a barrier of mist and both disappear as Jonathan
watches.
Jonathan
“
He
lashes at the last zombie and stops as a howling sound comes from the opening
on the ground and a creature appears.
Jonathan
“Cerberus!”
The
monster comes out and moves towards Jonathan growling. He keeps it away using
his whip and then the creature throws a ball of fire at him. He tries to use
the whip to destroy the ball of fire but the whip catches flames. Cerberus
then fires a ray of blinding light at him and he jumps away. He then sees
a large candle on a base nailed to a nearby tree.
Jonathan
“Gifts...”
Jonathan
hits the candle with the flaming whip and a crystal bottle falls to the ground.
Cerberus once again attacks him and he
lashes with his whip then rolls to get the bottle.
He grabs it and throws it at Cerberus
on one of its heads. The beast howls with pain as the Holy Water burns its
head and ground around it. Jonathan then throws his sword at the middle head
of the beast killing it. He then walks to the beast to recover his sword and
looks up to the Moon.
Jonathan
“
Scene
12
Town
of
“Where?”
Ivan
“Don’t
you recognize this place?”
“The
town of
Ivan
“Yes,
where your beloved Sonia was born. The cradle of your progeny…
And I will make it your grave!”
The
vampire throws knives at
Ivan
“You
will die!”
He
screams and rushes at
Ivan
“Uhnggh…
p–poison… mist.”
The
vampire dies and turns to ashes as
“Sonia.”
Scene
13
Vrad
Graveyard, near
A
Harpy hits the ground burning and Jonathan runs to the torch lit bridge. Three
Lagoon Monsters jump out of the river and walk slowly to him making hissing
sounds. Jonathan lashes with the fire whip and burns one, he then walks backwards
as the Lagoon Monsters spit poison. He then hits one of the torches and a
spear tip looking weapon appears. As the weapon hits the bridge it opens,
a Cross. He grabs it as the monsters continue their attack and throws the
Cross cutting them in half, making them fall off the bridge as the weapon
returns to Jonathan and the whip returns to normal. He continues to run as
he spots Castlevania up the hill. As he runs the bridge collapses.
Jonathan
“I’m getting closer, Anna.”
Scene
14
Strorigoi
Graveyard.
(Like one of Kojima’s paintings)
“Now,
our new son will go against him. Huh… I miss you so much my love.”
A
soft light appears behind him and it begins to take human shape.
Voice
“My
love.”
“Sonia?”
Sonia
“I
have also missed you, Alucard.”
stands
slowly and walks to her as if hypnotized and she gets exited.
“I
feel so weak without you...”
Sonia
“Then
come closer, I will give you the strength you need.”
He
hugs and caresses her hair making her gasp in excitement. Suddenly he bites
her neck hard making the Succubus loose control of her shape and she turns
into her true self.
Succubus
“Aaaarrghhg!
W–why my Lord?
“You
thought you would fool me?”
Succubus
“My
Lord… we love you—aaaaaaarghh!”
He
stabs her with his sword and the demon starts to burn. He then turns
back at the tombstone and the light is
still there.
“Thank
you my love. I will bring our son back.”
Scene
15
Outside
the Rose Garden in front of Castlevania.
Jonathan
“At
last, Castlevania.”
He
takes a look at the surroundings as he enters the fenced garden and hears
a voice.
Voice
“Father…”
Jonathan
“Huh,
what was that?”
The
iron fence closes behind him and from the tall bushes a giant appears with
a long chain on its hands and a small
hunchback man on his back.
Jonathan
“Frankenstein’s
Monster!”
Frankenstein’s Monster
“He
was my father!”
The
monster rushes to attack Jonathan with the chain as he lashes its chest, making
a clear liquid come out of the wound.
Frankenstein’s Monster
“Aaargghhh!”
The monster makes Jonathan fall to the ground, then the hunchback jumps to attack him. He then throws the Cross at it and kills it but the giant continues forward. Jonathan runs away looking for some distance then throws the Cross at the monster cutting its arm off. Then lashes with the whip grabbing the monster’s neck then pulls back hard and snaps it.
“Gaarghh!”
Jonathan
gasps for air and looks around the garden for more enemies.
Jonathan
“How is all this happening?”
Scene
16
Town
of
Ferry Man
“It
has been a long time since your last visit, young master.”
“Indeed.
You know where to take me.”
Ferry Man
“At
once, young master.”
The
small boat slowly moves away.
Scene
17
Castlevania’s
Main Hall.
Jonathan
“Now,
how do I reach the Castle Keep?”
Vampire
“You
will have to go through me, Belmond.”
Jonathan
“My
pleasure.”
Jonathan
lashes with the whip at the vampire’s chest and throws his sword. The vampire
turns and hits the sword and it falls on the floor. As it turns back to face
Jonathan, he opens his eyes wide as he sees the Cross coming directly at him.
Vampire
“Hissaarrrgghhh!”
As
he falls back from the impact, the vampire slams two large doors opening them,
falling inside a hallway. Jonathan notices a symbol on the door at the end
of the hallway and pushes his attack.
Jonathan
“Huh,
it seems Castlevania can change its shape and configuration but it will always
have the same rooms.”
Vampire
“N–no,
not here!”
As
the vampire screams, spikes and guillotine blades come out of the walls slowing
Jonathan down and forcing the vampire to retreat inside the room behind him.
The vampire’s feet start to burn, making him scream as he falls to his knees.
Jonathan
“The
Royal Chapel, the very hart of Castlevania’s weakness.”
The
vampire stands and jumps at him. Jonathan slashes with his sword and cuts
the vampire making it fall back and uses the whip to hit a large chandelier
on top of the altar. The vampire attacks again as he jumps to get what looks
like a small shield in front of the altar. He grabs the item and the leather
whip turns to a chain weapon, The Morning
Star.
Vampire
“My
master will triumph!”
The
vampire tries to reach Jonathan and he cuts the monsters hand off with the
sword. Then, lashes with the Morning Star, opening the vampire’s chest with
the spiked silver ball on the chain whip’s tip. The vampire turns to ashes
and Jonathan looks up at the large cross over the altar and smiles.
Voice
“Help!!”
Jonathan
“Huh?
Anna!”
He looks at a stairway on the left corner of the chapel and runs to it.
Scene
18
Ferry
Man
“Take
care, young master!”
(Looking at Castlevania)
“I
am almost there.”
He then looks at the moon and starts to howl. His clothing begins to burn and he slowly transforms into a large wolf and runs towards the castle. He quickly passes through the Jova Woods, reaches the back of the castle and looks up the wall.
(Wide
shot up the wall.)
“An
open window.”
He transforms into a bat and flies up to reach the window.
Scene
19
Shot from inside the room as the bat enters and transforms.
“The
A
wild thunder storm begins and a grinding noise is heard as the window closes.
He stands ready and looks up at a cross wrapped with stone snakes. A rattling
sound is heard at the end of the room behind a set of red curtains and they
start to move.
Medusa
“Ah…
a visitor. Or should I say, a work of art?”
He tightens the grip on his sword. Suddenly she jumps at him and shoots a blinding light from her eyes.
Scene
20
Castle
corridor, Torture Chamber.
“Get
away from me!”
Jonathan
runs tackling and lashing at zombies and skeletons.
Voice
“Jonathan!”
He
enters another corridor and the door behind him closes. He starts to run as
the windows break apart turning into a Crystal Knight. Jonathan lashes at
it and runs jumping over a large section
of the floor that started to disappear. At the end of the corridor, a door
guarded by two Pillars of Bones that shooting fire at him. He throws the
Cross at one and hits the other with the Morning Star crushing both pillars
at the same time. He then stops, catching the returning weapon. He kicks the
door and enters The Torture Chamber. As he walks, large blocks from the ceiling
drop to the floor and swords, vials of poison and other items begin to fly
blocking his way.
Voice
“No!”
Jonathan
“There!”
He
enters another section of the chamber.
Voice
“You
misunderstood. I meant to say, Jonathan, no! Get away from me!”
Black
spears come at him from the ceiling and he moves away preparing to attack.
A
Succubus comes down and the spears retract, turning into her wings.
“Oh, beautiful. I was hoping I could play with you before the ceremony.”
“You
are the one that should get away from me.”
He
throws the Cross and she flies back, then she flies directly at him. He then
takes out his sword and turns, cutting off one of her wings and stabbing her
on the shoulder making her scream as she hits the floor. He grabs the Cross
and walks to her.
Jonathan
“So
beautiful, so evil.”
Succubus
“No,
p–please…”
He
takes the sword and everything turns dark.
Succubus
“Aaaaargggghh!!”
Scene
21
Catacombs,
Prisoner Cells.
Jonathan
walks down the dark cell corridor looking at the corpses all around him.
Jonathan
“Death…”
Death
“You
are correct young one.”
A
metallic sound is heard and he looks around for its source. Then, he sees
the red eyes and the shape of an angel with a scythe. The shape moves reveling
itself completely and throws small scythes at him. He moves away and hits
The Death in the face with the Morning Star and throws his sword at its body.
The sword goes through Death’s body and hits the wall falling
to the floor full of maggots and insects.
Death
“Ah… simply formidable, even more so than some of your ancestors.”
Jonathan
“You
have not seen anything yet.”
A
door on the side of the room opens and the head of Medusa rolls inside.
“But
he will…”
Jonathan
“
Death
“Master
Alucard, welcome. A magnificent protégé you have.”
“Then
you know you will be defeated.”
Death
“Death
only needs time and when his woman is sacrificed all will change.”
Jonathan
“Change?”
Death
“Well,
of course. Anna Constantine, last descendant of Emperor Constantine of
Death
opens a portal on the floor where Jonathan and Adrian stand and unleashes
a Leviathan Beast and long spears that move up and down. As Jonathan evades
the attack
“This
time, we will face Death together!”
Jonathan
“You
will not have her!”
They
press the attack as The Death shields itself with its scythe.
Death
“Uhghh…It
is unfortunate I need a body and so much energy to manifest myself in the
physical world…
Death
begins to disappear.
Death
“Now face Chaos and with it, Death.”
Scene
22
Going
up the stairs towards the Castle Keep.
They
reach the top of the tower opening the large doors and enter what looks like
a dining hall lit by large chandeliers. Continuing forward they find the Throne
Room and in the middle of the room Anna is hanging by her wrists, chained
to a sacrifice altar.
Jonathan
“Anna!”
He runs to free her.
Anna
“Huh?
Jonathan, is it really you?”
Jonathan
“Yes,
are you all right?”
Anna
“Yes,
the cultists just chained me and left. Jonathan, those monsters…”
Jonathan
“Don’t
say anymore, my love. You are safe now with us.”
(Shot
of the entire throne room as the doors close and the room starts to tremble
with the sound of the thunder storm outside.) Medium shot of the torches around
the room as they begin to light by themselves. Close
up of the throne as a large shadow surrounds it.
Voice
“Ha,
Ha, Ha, Ha! Belmond and you... Alucard, my son. Welcome.”
The
shadow turns into mist and then into the shape of a man.
“You
are not my father. You are just Chaos in the form of the man my father once
was.”
Chaos
“Perhaps. But you are not only the son of Count Dracula; you are also a son of Chaos and you… Belmond, your family has thwarted our plans for generations but now you face confusion, complacency and mistrust… your world itself. And with the death of your beloved, your bloodline will soon die with you.”
Chaos
“A
monster seeking redemption. What can you do against the source of your own
powers? Pathetic.”
“Please
Lord, with your help I once saved my father’s soul. Now lend me your strength
and power to face this great evil…”
Close
up of
(Flashbacks
of the final moments of Nocturne in the Moonlight)
Jonathan
“You will not have her and you will certainly not defeat us!”
Anna
hides behind Jonathan as he stands ready with Morning Star and Cross in hand.
Chaos
“Insolent
fools, I have had enough of you both, now die!
Chaos
takes a step and a wave of energy comes from the ground like a ripple of water.
Jonathan
“Anna,
stay clear!”
She
runs to the back of the room as he jumps over
“You
forgot you face both of us now.”
Chaos
“Grr–aaahhh!!”
Chaos
pushes
Chaos
“Aarghh!”
Closing
his eyes because of the wall of light, Chaos does not see Jonathan lashing
with the chain whip until it’s too late.
Jonathan
“I’m
still here!”
Chaos
“Argh,
prepare to Die!!
Chaos
lifts his arm and his clothes rip apart as he transforms into a large demon.
Demon Chaos
“Ggrrrr…
Die!”
“Belmond,
this is it!”
Jonathan
“I
am ready, go!”
(Looking at Anna)
“Sonia…”
Demon Chaos
“Graarhhh!
Alucard, you will sacrifice yourself to destroy me?!”
Jonathan
“I
hope this hurts!”
Jonathan
throws his sword at one of the demon’s eyes.
Demon Chaos
“Grraarrghh!!”
Jonathan
“Now…”
Close
up of Jonathan as he joins his hands holding the Cross in front of him and
then lowers his head. Then a wide shot as he spreads his arms and screams,
releasing giant ghostly crosses that spin forward towards the demon slashing
and burning it, making it fall trembling on its knees. The demon then transforms
back into Dracula.
Chaos
“Uuhgh…”
Jonathan
falls to his knees and Anna rushes to him.
Anna
“Jonathan!”
Jonathan
“I
am all right.”
Anna
helps Jonathan stand and he walks to Dracula.
Jonathan
“With
every passing century and resurrection you grow weaker and taking human form
will always have its weakness.”
“Order
and Creation will triumph over Chaos and Death, always.”
They
both turn around and Dracula tries to reach
Chaos
“Nooo…”
“Dawn.”
Jonathan walks to a knight’s armor standing on a corner taking its ax and throws it at some wooden slabs covering a window on the ceiling. The wood breaks and the first rays of sunlight enter the throne room, finishing the monster.
“No–aaargghh!”
Jonathan holds Anna and hugs her.
and debris is falling as the castle shakes
and falls apart.
Scene
23
On
a cliff just outside Castlevania.
Adrian,
Anna and Jonathan watch as the Castlevania crumbles into dust.
“It
is over, for now.”
Anna
“For
now?”
Jonathan
“Yes,
he will return, hopefully, not in our lifetime.
“Anna,
you must research your family’s history, making your knowledge a source of
strength for your descendants. Jonathan, it is up to you to pass the knowledge
and skill and to maintain the bloodline. Now, I must leave.”
Jonathan
“Where
will you go?”
“I
do not know yet but remember, I will always be close to you… son.
Goodbye.”
Jonathan
and Anna watch as
Anna
“Son?”
Jonathan
“It is a long story. It all began in the 15th century…
~The
End~
Final
Thoughts
I
still can’t believe it took so long to convince myself to write something
about Castlevania, considering for how long I have been a fan. I had the idea
for this story for about two years and had some of the characters worked out
from the beginning and some quotes I wanted the story to have. I really wanted
it to be like the script of a movie, so I somewhat organized it that way.
As some hardcore fans will notice, I used the original Japanese name of the
game (
Special
Thanks
First
of all I would like to thank God for giving me the health and time to write
this.
Thanks to Kurt Kalata, Paul Mormegil,
Andrew Modeen and Michael Erickson. In one way or another these people inspired
me to give life to this story. Also my wife Sandra and all my friends for
keeping me always on the right track. Thanks!
Disclaimer
Angel Santiago can be contacted at alucard308@yahoo.com.
